PROJECTS, PRESENTATIONS, ESSAYS

“FACING POLAND’S ‘NEW HISTORICAL POLITICS’: A CONVERSATION WITH JAROSLAW SUCHAN,” DIALOGUE, OCTOBER, 2022

“BACHELOR MODERNISM: ON THE SOCIÉTÉ ANONYME’S INTERNATIONAL EXHIBITION OF MODERN ART, 1926,” IN THE AVANT_GARDE MUSEUM, ESSAY, MUSEUM SZTUKI IN ŁÓDŹ, POLAND, 2020

STAGELESSNESS, PAMPHLET, FILLIP, 2019

“GOODBYE, AUTEUR,” ESSAY-REVIEW, ART JOURNAL, 2019

“THE AVANT-GARDE COLLECTION,” PRESENTATION, THE AVANT-GARDE MUSEUM, MUSEUM SZTUKI IN ŁÓDŹ, POLAND, 2017

“A PSEUDO-COLLECTIVE RESPONDS,” PRESENTATION, ASAP 9/ ARTS OF THE PRESENT, OAKLAND, 2017

“THE PREHISTORY OF EXHIBITION HISTORY,” CRITICAL BIBLIOGRAPHY, ART JOURNAL, 2017

“ON RETURNING,” EDITED SERIES, SAN FRANCISCO MUSEUM OF MODERN ART OPEN SPACE, 2016

“ALICE NEEL,” “FRIDA KAHLO,” BLURBS, SAN FRANCISCO MUSEUM OF MODERN ART 360: VIEWS ON THE COLLECTION, 2016

“MARK ARMIJO MCKNIGHT,” BLURB, 20/20 VISION, STURM & DRANG, 2015

“REPRODUCTION AND REPRODUCTION,” ESSAY, MOUSSE, 2015

“DAVID HOCKNEY: A BIGGER EXHIBITION,” REVIEW, CAA.REVIEWS, 2014

“FLASH: DANA DEGIULIO,” EXHIBITION TEXT, CALIFORNIA MUSEUM OF PHOTOGRAPHY, 2014

“DISTANCE VIEWING,” CITYDETOUR, CCA WATTIS INSTITUTE FOR CONTEMPORARY ARTS, 2013

“PROPOSAL FOR A MUSEUM,” EDITED SERIES, SAN FRANCISCO MUSEUM OF MODERN ART OPEN SPACE, 2012–13

“RAMÓN MIRANDA BELTRÁN,” EXHIBITION, JULIUS CAESAR, CHICAGO, 2012

“NIC NIE WIEM,” ESSAY, DANA DEGIULIO: SAY, SAY, SAY, 2012

“GROUP-WORK,” EXHIBITIONS AND CATALOGUE, SCHOOL OF THE ART INSTITUTE OF CHICAGO, 2011–12

“ROBERT MORRIS IS UNAVAILABLE,” EVENT, MUSEUM OF CONTEMPORARY ART, CHICAGO, 2011

“RIOT SHOW,” EVENT, SAN FRANCISCO MUSEUM OF MODERN ART, 2010